Oscars Best Picture Winners

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Actor In A Leading Role

Rahman’s exhilarating soundtrack, and the jam-packed plot make Slumdog Millionairea 50s-type Hollywood romance for the multicultural, tech-obsessed twenty first century. Arguably probably the most divisive Best Picture winner of the 2010s, Birdman needs to be seen as capital-A “Art” and, generally, even succeeds.

After getting older star Margo Channing (Bette Davis) takes aspiring actress Eve Harrington (Anne Baxter) under her wing, she soon learns that the seemingly naïve younger lady has her personal devious plans. Like its fellow Best Picture nominee, Sunset Boulevard, All About Eveexplores the narcissism and deceit that comes with eager to be a celebrity, and is absolutely jam-filled with well-known one-liners. Is Million Dollar Baby Oscar-fodder masquerading as a gritty sports drama? Clint Eastwood, Hilary Swank and Morgan Freeman imbue their determined characters—and the sport of boxing—with such humanity, it’s easy to want to look away. Eastwood’s unpretentious, back-to-fundamentals method to storytelling is equally spectacular.

Fred Zinneman’s romantic drama took home an impressive eight out of 13 nominations, including a Best Supporting Actor win for Frank Sinatra. Many think about this movie to be one of many worst Best Picture winners in Oscar historical past, and was the last victor to win fewer than three trophies until Spotlight in 2016. Many consider it beat its competitors because it was an opportunity to honour Cecil B DeMille whose movies had failed the principle prize. This Best Picture winner won six Oscars, but left lead stars Bette Davis and Anne Baxter – each nominated for Best Actress – empty-handed.

Hamlet stands tall as some of the profitable Shakespearean adaptations on the Oscars, as well as the primary British movie to win Best Picture. After virtually missing out on a nomination as a result of a technicality, Casablanca went on to win three Oscars, together with Best Director for Michael Curtiz.

Granted, it’s simpler to admire than it’s to truly like, nevertheless it positive doesn’t deserve to be loathed. Anthony Minghella’s field office smash—that includes beautiful landscapes and strong turns by Ralph Fiennes, Kristin Scott Thomas and Juliette Binoche—is a throwback to the sweeping romances of Hollywood’s Golden Age. Frank Capra was on a roll when he directed You Can’t Take It With You, an adaptation of a successful Broadway play and the primary film to have a director’s name preceding the title.

  • An emphasis on the latter two criteria would radically change the tales which might be greenlit and the people who seem in them.
  • By the time serial killer Buffalo Bill gets his comeuppance, Anthony Hopkins’ Dr. Hannibal Lecter had turn out to be cinema’s most fascinating monster, Jodie Foster’s Clarice Starling its most inspiring hero, and chianti the wine of alternative for psychopaths in all places.
  • But the primary criterion, which mandates that “no less than one of many lead actors or vital supporting actors is from an underrepresented racial or ethnic group,” will show easy for most movies to satisfy.
  • One of the most profitable films of all time, Gone with the Wind swept the board on the Oscars, profitable 10 out of 13 nominations.

Arguably the funniest film ever to win Best Picture, Annie Hall stays the archetypal Woody Allen movie. The comedian-turned-auteur utilizes each trick within the e-book—timeline jumps, split screens, breaking the fourth wall, subtitles to convey internal ideas, animation—to depict the bumpy relationship between two idiosyncratic New Yorkers. Who else however Allen and Diane Keaton can make a silly scene about cooking lobsters really feel poignant, or a brief second on a park bench really feel like true love? Nominated for a whopping 14 Academy Awards (it received six), writer-director Joseph L. Mankiewicz’s All About Eve grants audiences an inside take a look at the backstage dramas of Broadway.

Running simply 94-minutes, Delbert Mann’sMarty continues to be the shortest movie to win Best Picture—and presumably one of many least orthodox selections for the night’s largest prize. In the Seinfeld episode “The English Patient,” which aired eleven days earlier than The English Patient received Best Picture at the 69th Academy Awards, Elaine’s hatred of the movie alienates everyone round her.

If he had walked away from filmmaking after this, he would’ve been remembered as a modern grasp. Although he gained an Academy Award for his efficiency, Paul Scofield’s award-winning turn as Sir Thomas More in A Man for All Seasons stays one of the most underrated performances of all time. It’s his seemingly easy delivery that brings Fred Zinnemann’s biographical drama to life, helped by gloriousTechnicolor cinematography and a outstanding screenplay by Robert Bolt. Almost destined for a direct-to-video launch, the unlikely success of Danny Boyle’sSlumdog Millionaire mirrors that of its protagonist, Jamal Malik. As an impoverished contestant on the Indian model ofWho Wants to Be a Millionaire, Malik revisits probably the most formative moments of his life to search out the answer to each question—all while attempting to win back his childhood love.

Alejandro González Iñárritu’s tale of a washed up actor trying to regain his artistic credibility on Broadway is jam-packed with so many narrative and technical oddities that it’s stunning it was even a frontrunner for Best Picture at all. An equally groundbreaking movie was also nominated that yr, but Academy voters have been won over byBirdman‘s showiness.

This drama, depicting the life of an unassuming British housewife (Greer Garson) in rural England throughout World War II, gained six Oscars in total. Another win for Cavalcade director Frank Lloyd that inspired the creation of the Best Supporting Actor category after three of its lead stars – Clark Gable, Charles Laughton and Franchot Tone – had been nominated for Best Actor. Interestingly, they had been all overwhelmed by Victor McLaglen for The Informer. Meant to take impact by the 96th Oscars in 2024, these new tips would require movies to satisfy two of four range standards to be eligible for a best-picture nomination.

It’s an initiative that could, on its face, encourage studios to enact extra equitable hiring practices and broaden the vary of stories that are told. After a second all-white group of actors was nominated and the activist April Reign’s #OscarsSoWhite hashtag turned a rallying cry, the academy started taking nice strides to diversify a membership that had been largely white and male for 9 many years. Those inclusion targets were met months ago, however this week, the academy unveiled an even more formidable diversity initiative with the intention of reshaping not simply how motion pictures are rewarded, but additionally who’s hired to make them within the first place.